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Paiyaa Paiyaa

Paiyaa

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Language
Directed By
Year
MPAA Rating
G

Karthi (Shiva), an engineering graduate with an attitude, is on the look out for a job. He does not seem to be much serious in seeking employment while his friends try their best to settle him. He spots Tamannah (Charu) in a bus stop and it is love at first sight. He finds her on a couple of occasions later and in fact misses an interview in her pursuit. Destiny seems to have something good waiting for him and he gets to spend the most beautiful phase of his life, giving her a ride in the car while waiting to pick the owner of the car at the railway station.

Life takes an exciting turn from this point for Karthi who accepts to drop her in Mumbai and thus begins Paiyaa’s journey of romance, action and emotions on a highway with a few turns, some with caution and some without.

arthi and Tamannah have acted to the director’s demand. Their performance is absolutely great and director Lingusamy has got the best of them. Tamannah who is mostly in the rear seat, has acted decently for the scope given to her. All the villains have done their part with out flaws, while Milind Soman as ‘Bali’ has acted well, he was underused.

This movie is everything about the team, comprising of Mathi, the cinematographer, Anthony the editor, Yuvan Shankar Raja, the music director, Brinda Sarathy the dialogue writer, the Stunt Director Kanal Kannan, Art by Rajeevan.

Being a road movie, most of the action is in the car or rather on the road!  Considering the hardships involved, the camera work is immaculate. The action scenes with cars all over, and car chases in the movie would have definitely been a toll on the director and the cinematographer. Editing the different versions of the camera, Anthony has done an incredible job. ‘Paiyaa’ definitely has got the best of Anthony out.

The car sequences on Indian Highways and the backdrops have been beautifully captured. Dialogues weaved in between are subtle and natural. Nothing too cinematic or too dramatic! Funny dialogue delivery of Karthi makes the audience laugh most of the time.

Art work by Rajeevan is enduring and simply attractive. From the car seats to the sets of the song 'Suthude Suthude', the man has shown his tastes, given the restricted scope for art in the ‘road movie’.

Karthi and Tamannah look fresh, in their attire as well as their looks. Priya Manikandan, the costume designer has seemingly done an impressive job.

Image Gallery

Paiyaa
Paiyaa
Paiyaa
Paiyaa
Paiyaa

User reviews

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Overall rating 
 
3.3
Story 
 
2.0  (1)
Actors Performance 
 
3.0  (1)
Cinematography 
 
3.0  (1)
Sound Track 
 
5.0  (1)
 
Paiyaa 2010-04-03 08:14:17 faryd
Overall rating 
 
3.3
Story 
 
2.0
Actors Performance 
 
3.0
Cinematography 
 
3.0
Sound Track 
 
5.0
faryd Reviewed by faryd    April 03, 2010
Top 10 Reviewer  -   View all my reviews

Paiyaa : Racy & Romance

The director of ‘Run’, ‘Sandai Kozhi’ etc. is back with another racy action adventure, 'Paiyya'. Expect action-packed scenes in this movie as well.

Boy O’ Boy! The movie is an action journey no doubt! At no frame of the movie, will anyone feel bored or tired. Karthi has got a hat-trick of success with ‘Paiyaa’, after his ‘Paruthi Veeran’ and ‘Aayirathil Oruvan’.

Right from the titling of the movie, you will slowly realize this movie is not going to be just another action flick! The unique introduction of the movie’s title itself conveys the substance of the movie.
Yuvan Shankar Raja is the major backbone of Paiyaa with lovely tracks suiting the mood of the film. Tamannah looks as fresh as the raindrops in thuli thuli mazhayai number. Suthude suthude boomi speaks of art director Rajeevan’s work but he could have taken extra care especially about the stationery cloud hovering around the moon. The songs are all chartbusters and have all been picturized very aesthetically. Priya Manikandan’s costumes are in sync with the nature of characters and the mood of the film. Brinda Sarathy’s dialogues evoke laughter at the right places.

The second half slackens with some of the actions sequences appear contrived especially in the climax. How can someone even lift his head when beaten by a powerful metal rod? It is difficult to comprehend despite attributing it to cinematic liberties. The climax fights intend to be more for showcasing Karthi’s heroism than for the story warranting it. And why is Karthi shown as someone who does not speak English despite being a city bred engineer with urban friends for company?

Director Lingusamy has stuck to the genre that he has chosen for most part. He has recorded romance in a beautiful manner especially when Karthi communicates his feelings to his friends seeking advice and his dignified attitude towards Tamannah. The car chasing sequence in the open field is absolutely brilliant and so is Karthi going reverse in the opposite direction. Cinematographer Madhie needs plaudits here. Crisp editing by Anthony especially in the action sequences is a major plus point of Paiyaa and deserves a special mention.

All in all, a stylish, light hearted family entertainer for the summer!

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