Kanchivaram
Info
The film begins with an aging man named Vengadam (Prakash Raj) being released from jail in 1948. He is only being escorted for two days (the reason not revealed) back to his hometown of Kanchipuram, known at that time as Canjeevaram after British rule. He is being transported under the custody of two policemen on a bus from Coimbatore to Kanchipuram. As the journey takes place, Vengadam recalls his past symbolically as several events that occur in the bus (such as sounds) remind him of his past.
Vengadam is a silk weaver in the town of Kanchivaram, and has just recently got married (with Shreya Reddy). He had vowed once that he will only wed a woman wearing a silk saree, but had to settle for normalcy as he unable to garner enough savigns to buy one. It is then revealed through his life proceedings that silk weavers are only paid a very low sum 7 rupees for each silk saree vowen. This means that despite being weavers, they can't afford, nor even see the silk saree being worn by other people. Vengadam is shown as a talented weaver and best of the lot. Few years down the road, his wife gives birth to a baby girl, and according to tradition, the father has to give the daughter a promise by whispering into her ears. He shockingly promises that he will marry her off with a silk saree, which is met with skepticism by villagers and even his wife. He later reveals to his wife that he had saved a lot of money over his life, but couldn't save enough to marry her with a silk saree, but will be able to garber enough by the time their daughter grows to marriageable age.
But soon after, Vengadam's brother-in-law suffers losses in his business, and tells Vengadam that that he will have to abandon Vengadam's sister because he wouldn't afford to take care of her. In desperation to preserve his sister's life and dignity, Vengadam hands over his life savings to his brother-in-law, leaving his silk saree ambitions in tatters. Soon after, a writer visits the town and asks for a place to stay- which Vengadam arranges in a friend's house. It is slowly revealed that the writer is a communist with an agenda. He promotes the idea of equality to the silk weavers after learning about their poor pay and their inability to access the very product that they make. By time, Vengadam alongside fellow weavers embrace this idea and participate actively in street theatre mocking their Zamindar, who employs all of them. After the writer is hunted down by police and killed (communism is illegal at that time in India), Vengadam takes control, and under him, the weavers submit a petition demanding pay increase and other initiatives. The zamindar ridicules them for that petition. Frustrated, they steal and hide weaving tools to prevent the zamindar from bringing in weavers from different towns to cary on with the job. This continuous struggle leads to Vengadam being arrested, and the weavers protest to get him released. Finally, they are released and the zamindar agrees to slightly increase their payment. However, Vengadam continues the rebel, stating that this is their opportunity and have to make full use of it to reap long-term benefits. At this time, the communism was announced as a legal organization and political faith by the government, thus allowing them to continue their fight in the open.
However, to his shock, his son's friend (with whom his daughter is in love with) returns from the armed forces one day, and informs that the British are defeating Germans in the war, meaning the communism is losing. At the same time, he also wants to marry Vengadam's daughter before he is asked to return to the battlefield, leaving Vengadam perplexed as he has to fulfill the promise of sending her off with a silk saree. With only half of the saree finished so far, he suddenly goes against his own words and asks all weavers to rejoin work immediately, and is branded a traitor. At work, he secretly smuggles strings of silks out of the temple in which he works to help him finish the saree in time. But after a while, he gets caught suring smuggling, which causes him to get beaten up and sent to jail.
The story returns to present day, where it is revealed that his daughter has slipped and fell into a well, leaving her paralyzed, with nobody to take care of her (Vengadam's wife passed away sue to a mysterious illness, presumably cancer, when his daughter was still young). He asks his sister to take her in, but his brother-in-law says it will hurt his dignity to have a thief's daughter stay in his house. Not knowing what to do, Vengadam poisons his own daughter and she dies shortly thereafter, ending her suffering.
As her dead body lay in front of the house, Vengadam opens up his old properties and finds the half-vowen silk saree he had before. He takes the cloth and uses that silk to cover his dead daughter's body, in a resemblace to what Vengadam said at the beginning of the film (at his father's death, Vengadam complained that despite his father being a silk weaver his whole life, he do not have a single silk cloth to cover his body, apart from a small piece tied at his leg fingers as per tradition). The films ends with a freeze frame shot of Vengadam smiling towards the camera after covering her daughter's body with silk, before credits reveal how communism has become a forefront movement in contemporary India.
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Kanchivaram
Happy News. Priyadarshan the crass commercial filmmaker has weaved a classic with Kanchivaram. The film is a personal triumph for the writer director who has been mainly dishing out low brow sugar-‘n’-spice films and accused at times of plagiarism.
Taking a break from his usual potboilers, Priyan has come out with a heart rendering tale of a man caught between his ideology and personal ambitions. The film documents the lives and times of the weavers of Kanchivaram, just after Independence, and how the communist movement started.
The film set in the late 1940’s travels back and forth as Vengadam (Prakash Raj) on parole, on a rainy day accompanied by two policemen board a bus to return home to see his ailing daughter. The windy rain and continuous down pour outside kindles memories, as his life story unfolds.
Vengadam is dreamer and the finest weaver of silk saris. He wanted to drape his newly married wife Annam (Shreya Reddy) with a Kanchivaram Sari, but it never happened. So when his daughter Thamarai (Shammu) was born he promises in front of the entire village that he would gift her silk sari for her wedding. He sets about trying to fulfill his life ambition by stealing a strand of silk every day, and weaving the sari in his cattle shed every night.
As the days and years pass, Thamarai grows up into a young lady who falls in love with his best friend Parthasarathy’s son and the marriage is fixed. However by then Vengadam has got sucked into the communist movement. From being a man with dreams and apolitical, he goes to the other extreme and becomes a communist and leads a strike by the workers demanding more salary. This leads to the final tragic twist in the story as the idealist communists torn between his philosophy and personal dreams.
Prakash Raj is simply terrific as Vengadam as he does his role with searing intensity of an actor who has grasped the complex nuances of his character. Shreya, Shammu and the supporting cast are apt for their roles and take the picture to great heights. The other plus points are M.G Sreekumar’s music, Thiru’s camera, Sabu Cyril’s brilliant set work.
On the downside the film has a documentary look about it and has been made to impress the judges at film festivals. It is a bit slow and could have done with some editing. On the whole for connoisseurs of quality cinema, it’s a must-see-must-watch, as Priyadarshan comes off age.









